This is why it’s imperative to never expose your rubber duckie to radiation.
The mere fact that a movie about a massive monster wreaking mayhem upon a major metropolis begins with roughly half an hour of solemn and serious politicians blathering slightly too quickly in a series of utterly forgettable conference rooms should seem like a bleak sign. Even considering how many movies in the Godzilla series focus heavily on a human story almost to the exclusion of kaiju action, none have been quite so fascinated with the minutiae of governmental process. But this political thriller is less C-SPAN than Armando Iannucci, blending the anti-nuclear message of the 1954 Godzilla with a dry satire of the current state of Japanese politics, particularly their response to crisis. The main character is not a stalwart soldier or brilliant scientist, but a bureaucrat responsible for coordinating the reaction to a natural disaster, albeit one involving a gigantic and rubbery sea creature that spews fire and radiation. Caught between the indecision of his superiors and the call for a scorched earth response by the US-led UN, young prime ministerial aide Rando Yaguchi (Hiroki Hasegawa) must find a way to defeat this monster with the help of a team of scientific rejects and crackpots. Continue reading “Shin Godzilla (2016)”
Given the dramatically divergent reactions elicited by The Shining, that film will be discussed at a later date in two posts, a case for the defence, and a likely scathing case for the prosecution.
It’s strange to imagine that arguably the very best movies based on Stephen King’s work do not strictly fit into the horror genre at all, especially given his reputation as an author. The Shawshank Redemption is still the highest user-rated film on IMDb’s Top 100, and while it certainly isn’t the best film ever made, it’s not an immediately absurd choice for the accolade. (Incidentally, The Green Mile is ranked at no. 36, far above the first King-horror The Shining at no. 60, which debatably has more to do with Stanley Kubrick than King himself.) A little further down the list at a respectable no. 192 is Stand By Me, based on King’s 1982 novella The Body. Set in 1959, four friends make a pilgrimage to see a real dead body, and discover some important things about themselves and each other. While not at all a horror movie – being a major outlier at Dundead by featuring only one corpse – there are heavy and frightening aspects to the story beyond its mouldering cadaver. There fears here are of a more mundane sort, whether they are personal, existential or physical. Continue reading “Dundead 2017 Day Four”
Based on the horror/sci-fi book series by Koji Suzuki, Ring is one of the most iconic and influential horror movies ever made. This is undoubtedly partially due to the veritable deluge of American remakes of Japanese chillers incited by Ring‘s Hollywood adaptation, as well as the numerous parodies of that film, but is also down to the fact that it is excellent. It is horror at its most basic, twisting normality just enough to terrorise while remaining eminently relatable. While a killer video tape might now be slightly dated, it is still an idea that will chime with anyone over the age of 25 or so. Ring eschews gratuitous violence in favour of a thick atmosphere of dread and a ghostly tale that targets youthful fears and parents’ worst nightmares alike.
Continue reading “Ring/Ringu (1998)”