Written with the insightful input of fellow Dundead 2017 survivor, Claire Grey.
If Salem’s Lot suffered from a glaring lack of Stephen King’s influence, Firestarter contains a veritable smorgasbord. King is fond of writing supernaturally-gifted children, particularly when they wreak terrible vengeance upon those foolish enough to anger someone with magical powers. 9-year-old Charlie McGee (Drew Barrymore) follows in the fine tradition of Carrie White as a girl who can cause incredible destruction with a mere thought, though she is considerably more innocent and less bitter in spite of her tragic past. After the murder of her mother, she and her father Andy (David Keith) are pursued and eventually captured by a shady government organisation controlled by Martin Sheen’s Captain Hollister, who hopes to turn the little girl into a living weapon. Continue reading “Dundead 2017 Day Three”
The anthology horror has made something of a resurgence in recent years with films like V/H/S, Tales of Halloween and The ABCs of Death. In any such collection there will be stronger and weaker segments, some good enough to justify a film’s whole existence, some sufficiently terrible to sink the entire movie. Southbound achieves an impressive balance of quality, perhaps never achieving excellence but never tripping itself up. Watching the film is rather like enjoying a marathon of decent-to-great episodes of The Twilight Zone, albeit all set in the same haunted and arid wasteland. At Dundead 2016, much fanfair was made about Jeremy Saulnier’s Green Room, which ultimately turned out to be an okay movie rather bafflingly lauded as fantastic. In my own case, Southbound was superior, gripping and imaginative and unsettling. Continue reading “Best of Dundead 2016 – Southbound (2015)”
Over the weekend of 7-9 April, 2017, in collaboration with the Comic Studies department at the University of Dundee, overseen by the world’s only Professor of Comics Dr. Chris Murray, and the city’s very own festival of geekdom Dee Con, Dundee Contemporary Arts is running Sequence, a series of films inspired by comic books and animation.
The first film of the mini-festival was Heavy Metal, the cult 1981 adaptation based upon the magazine of the same name, which was itself based on a French-language publication called Métal hurlant. The movie is an anthology of various versions of stories which appeared in the comic book, written by various science fiction and fantasy authors, most notably Dan O’Bannon, screenwriter of Alien, Dark Star, Lifeforce and Total Recall. It covers a broad and ecletic mix of tones, styles and settings, blending grimy sci-fi, Howard-esque fantasy, and gratuitous sex and violence. All of this is set to a fantastic soundtrack of (unsurprisingly) heavy metal tracks and a dramatic orchestral score.
Continue reading “Sequence Day One – Heavy Metal (1981)”