Best of Dundead 2015 – Let Us Prey (2014)

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Thus far, Let Us Prey is the only feature film from director Brian O’Malley, and what he lacks in fecundity he makes up for in crafting one really great horror. Taking more than a few cues from John Carpenter (in the pulsing, rhythmic music and in setting almost the entire movie in a police station under attack), Let Us Prey is mad and contemplative, combining visceral violence, wry wit and religious rumination into a highly entertaining package. When it was showing at 2015’s Dundead festival it was not originally a part of my viewing slate, and my last minute decision to see it was spurred almost entirely by the presence of Liam Cunningham. As happenstance goes, this was very fortunate, as Let Us Prey turned out to be the best new movie I saw at that year’s horror-fest. The lesson here is that even the most superficial reasoning can sometimes yield rich rewards. Continue reading “Best of Dundead 2015 – Let Us Prey (2014)”

La La Land (2016) & Whiplash (2014)

La La Land has a narrow path to walk in order to succeed. The lavish Hollywood musical seems to flourish in the presumed ‘simpler times’ of the past, before irony, cynicism and disillusionment were invented in the mid-1960s. Realism is anathema to a world in which groups of people burst spontaneously into elaborate, choreographed song-and-dance routines. Despite this, director Damien Chazelle has been largely successful. While the balance between music and narrative is lost for some time in the third act, it returns in spectacular fashion in the closing scenes. The final show-stopper is a gorgeous punch to the heart, an emotional climax earned by the affection that the film has built over the journey of the two romantic leads.

Continue reading “La La Land (2016) & Whiplash (2014)”