The possible advantages of a remake are clear if only we can look past the deep personal offence of daring to meddle with beloved source material in the first place. Translation of a story into a new context can endear it to new audiences, and potentially lead them to revisit the original. Flaws can be addressed, and underdeveloped threads can be explored by shifting the film’s focus. This is a best case scenario; more usually, something goes missing in transit. The Ring is less subtle, less visually appealing and less complex than its Japanese predecessor. Comparisons are not kind, but when the same idea has been executed more capably before, they are difficult to avoid. The crime is not in being a remake, but in being an inferior remake. Continue reading “The Ring (2002)”
After a creditable slightly-above-average placing in the annual Dundead Film Quiz (team name: The Dank Tower), the festival began in earnest with Sean Byrne’s The Devil’s Candy, a tale of family strife, satanic possession, and sick guitar riffs. Strange things begin to happen when the Hellmans, dad Jesse (Ethan Embry), mum Astrid (Shiri Appleby) and daughter Zooey (Kiara Glasco), move into their new dream home. Jesse, an artist, is beset by an irresistible urge to paint grotesque images, and his obsession starts to take a dire effect on the family. When the house’s previous occupant Ray (Pruitt Taylor Vince), a strangely innocent man tortured by sinister, whispering voices, begins to take a special interest in Zooey, the rifts in the family threaten to become truly lethal. Continue reading “Dundead 2017 Day One”
Over the weekend of 7-9 April, 2017, in collaboration with the Comic Studies department at the University of Dundee, overseen by the world’s only Professor of Comics Dr. Chris Murray, and the city’s very own festival of geekdom Dee Con, Dundee Contemporary Arts is running Sequence, a series of films inspired by comic books and animation.
If Heavy Metal‘s view of “mature” content is that of a hormone-addled teenager, Batman: Mask of the Phantasm takes a more genuinely adult perspective, despite being aimed at a younger audience. Based on the celebrated Batman: The Animated Series, Mask of the Phantasm utilises its longer running time and higher rating certificate to tell a story of revenge that delves into the psychology behind loss, and what separates vengeance from justice.
Continue reading “Sequence Day Two – Batman: Mask of the Phantasm (1993) & Watchmen (2009)”
Mashing genres has given us some of the best films ever made, but can be extremely fraught if done poorly. For every Blade Runner (science fiction/film noir), Assault on Precinct 13 (Western/thriller) or Scream (horror/comedy), there are countless clumsy and inconsistent messes that, in reaching for two disparate goals, achieve neither. Sunshine is by no means among the worst examples of this technique, but remains an intensely frustrating film. It seems to lack the courage to simply be a tense and thrilling tale of human perseverance and survival, instead tossing in a half-hearted, third act horror twist that falls completely flat.
Continue reading “Sunshine (2007)”